Revising a Revised Edition

 

Cover design by Christy Aldridge of Grim Poppy Design

One thing on my agenda for the year is to get books currently out of print back into print. This is why I have been saying “And it’s still in print!” when sharing about books that really are still in print! I have had over 15 books go out of print after two publishers shut down, so I spent some time deciding just HOW to get those books back out there.

 

Fortunately, I know of some publishers who DO publish previously published books (and Twisted Dreams Press is among them), so I set aside certain titles to submit to them at certain times. (Yeah, I’m not submitting all of them all at once.)

 

Some authors I know who have also had this experience chose to self-publish their books in order to get them back out there. Part of the goal of Dreamweaver Press, an imprint I manage through Twisted Dream Press, is to publish books that went out of print. I let these authors know and I am working with some of them to get their books back into print.

 

Meanwhile, I created a schedule for when I submit manuscripts and when I’ll be self-publishing my own books in order to get them back into print.

 

One of those books is my collection of confessional poetry, 3 A.M. Poetry.

 

This book is my collection of poems that further explore some bad things I experienced in my past. However, when I was looking it over again in order to prepare the manuscript for self-publishing this month, I realized that some revision was in order.

 

But then I wondered, should I revise a manuscript that was previously published? Why not give readers the same kind of material that appeared in the first edition, as happened with my deaf poetry book Noiseless? The second edition was published by Alien Buddha Press and it’s the exact same book that was out there the first time.

 

However, readers will not get that experience when they pick up my other poetry book, Other, which I self-published after the publisher shut down.

 

And they won’t get that experience when they pick up the new edition of 3 A.M. Poetry either, which just released as an ebook!

 

Still, before it was published, I struggled with the decision of whether or not to revise it.

 

When I decided to proceed with publishing this poetry book in 2025, I started out with the original collection of poetry that I wrote many years ago that was titled 3 A.M. Poetry. However, that manuscript was too short, so I revised it. I threw in another short collection of poetry that I wrote, and added a few other poems. It all worked out because all of the poems were on the same topics: Abuse, addiction, alcoholism, depression, mental health disorders (I have anxiety, depression, and panic disorder), rape, self-harm, suicidal ideation, and suicide.

 

Then came the task of whether or not I should revise the revised edition after the book went out of print!

 

When faced with this situation, the author can look at the manuscript and make the personal decision of whether or not they want to, or should, revise it before attempting to get it back into print.

 

In my case, though, I had one issue: What if revising the book changed it so much that readers wouldn’t be able to relate to or appreciate the poems in it anymore? Should I even touch it, or just let it go out there the way it originally was?

 

But after reviewing the manuscript, I decided that, yes, it could use some revision. One poem was too similar to another. Another poem didn’t capture what it was about very clearly. Still another poem had no place in a collection of confessional poetry. (Yes, I realize that people might appreciate the break from all of that confessional poetry with something different, but there are other poems in the book to serve that purpose.)

 

So, yes, I decided to proceed with revising it. I took poems out, rewrote some others, added new ones, and ensured there were no duplicates (this can happen sometimes, especially with long collections of poetry). I also added an author’s note that included the number for the crisis and suicide hotline, as well as trigger warnings. Now I feel this revised edition, which is truly a REVISED edition, is so much better than the original book.

 

And that’s exactly what we should give to readers when we are trying to get books back into print. We should give them books that are bigger and better than the original one. That’s what I did with Other, that’s what I have done with 3 A.M. Poetry, and that’s what I’m doing with another one of my out-of-print books, 365 Tips for Writers.

 

Just because a book has gone out of print, it doesn’t mean it will stay out of print. It WILL get back out there in the world, and in some cases, the new revised edition will be even better than the last edition.

 

If you’re interested in this poetry book, which released on Kindle today, you can get your copy here.

 

The print edition is coming soon!

 

Here is the book’s blurb:

 

Survivors of an abusive childhood know just how hard it can be to break free from their past. Memories linger. The anger lingers. The poems in this book reflect battles the author has had to fight, then and now. Some of these battles are an ongoing torment that could make the dangers of mental health disorders seem like a welcoming reprieve. The last two poems in this book reflect how the author broke free from the darkness and found the strength to keep going.

Warning: The poems in this book explore topics of abuse, addiction, alcoholism, depression, rape, self-harm, suicidal ideation and suicide.

I Have Permission to Write, But Do I Need Permission to Publish?

 

Photo Credit: Markus Winkler via Pexels

So there I was, writing yet another poem to go into the book of memorial poems I have been working on for several months, when a thought struck me: What if the family of the person I was writing about got angry at me for even writing this poem?

 

For context, this book of poems is a collection of verse written in memory of people I have known, as well as people I didn’t know. But saying they were people that I didn’t know doesn’t necessarily mean they were complete strangers. Some of those people I didn’t know who I have written memorial poems about include family and friends I knew on social media, but not in real life. I didn’t exactly know them for years, though there are some I knew for years via the internet.

 

Then there are the people I didn’t know personally, but knew about because of their celebrity – such as Princess Diana, John F. Kennedy, Jr., and Ozzy Osbourne. I wrote poems in memory of them sometime after they passed away.

 

But now I’m wondering: Do I need permission to include these poems in my book? What if the family gets angry at me for writing these poems?

 

I had that thought after writing a memorial poem about a cousin whose life ended this summer, and it bothered me that I might experience negativity from her family when that poem is published in the book. It bothered me so much that I reached out to another cousin and asked her if it would be okay to include this poem about our cousin in this book. I also said, “I don't want it to look like I am trying to be a part of something that I am not a part of and I don't want people to get mad at me for writing something about a person I did not know, even if it is written with loving thoughts and kind words.” My cousin replied that she thinks this late cousin’s sister would appreciate the gesture. Just to be on the safe side, I reached out to this sister to start a conversation about it.

 

With family, it might be easy to resolve that problem, because then I could reach out to them about it. With friends, I have done the same. But with celebrities? I am not so sure.

 

Would I need permission to get the poems I wrote in memory of these celebrities published? Their deaths moved me and I felt compelled to write about them. So I wrote poems in their memory – about the lives they lived and the ways they have touched others. They are all positive poems. I don’t say bad things about them. But now I wonder if even getting these poems published would be a problem.    

 

I suppose that, as in every case when it comes to an author being conflicted about something in a book, it would be better to just leave that decision with the publisher. So, that is what I will do, in this case.

Living in a Noiseless World: A Deaf Poetry Book Shares What it’s Like to Be Deaf

 

It’s hard to write about a disability unless you have experienced that disability yourself. And while I don’t like the word “disabled” or “disability,” the fact is that deafness is a disability and being deaf makes a person disabled. That is the label which society has given to anyone who can’t hear, walk, see or speak. “Disabled.” And while I grudgingly accept this designation as I have navigated through almost forty years of living with deafness, I have not allowed that term to define me, or the life that I choose to live.

 

I have included Deaf characters in my fiction. I have written articles about deafness and on topics relevant to the Deaf community. I have also written essays about being deaf. Some of those things were published. I have written poems about being deaf, and so far, only a couple of those poems have been published.

 

Now people will have the opportunity to read many more of those kinds of poems, because at long last, after many years, my collection of deaf poetry has been published.

 

Noiseless is a collection of poems about deafness written by a deaf poet. These poems shed light on what it’s like to be deaf, as well as issues affecting the Deaf community. These poems also offer insights on relevant topics and reminders of the need to do away with ableist attitudes and ableist language in society. Ultimately, the poems in this book reflect a strong desire shared in the Deaf community: That we only want to belong and be a part of everything that our hearing peers get to be a part of. (And including sign language interpreters at important televised and public events sends the message that Deaf people are being included.)

 

I started writing poems for this book many years ago – I can remember asking someone for feedback on some of the poems in 2017. When I felt the manuscript was ready to submit, I sent it out – the publishers as well as contests which were held by publishing companies. None of them accepted the manuscript, even the ones which published books relevant to the disability community.

 

While these rejections poured in, I took the manuscript through another round of revisions. While working on these revisions, I stayed up to date on news and issues which impacted the Deaf community. Some of these news items I read inspired poems that ended up in the final draft of the manuscript that was eventually published.

 

At the same time, many of my own experiences as a Deaf person inspired many of the poems in this book. How I was moved to the back of a church because my ASL interpreter was too much of a “distraction” for those in attendance. How a hearing person would refuse to write things down for me when she spoke then got upset when I couldn’t understand what she was saying. And of course, the many times people have screamed into my ear after they were informed that I am deaf, as though talking louder would allow me to magically hear them. (There is a difference between deafness and hard-of-hearing.)

 

These are just some of the aspects of living with deafness which these poems explore. While the poems in Noiseless are not meant to capture what it’s like to be deaf for everyone (because not everybody who is deaf is able to speak, like I can, and everybody lives with their disability differently), I do hope that some of these poems are relatable enough to Deaf readers that they will find it enjoyable.

 

Many thanks to Crystal Baynam at Baynam Books Press for accepting this book for publication, editing it, and for the cover design. I also wish to thank everyone for all of their support for this book.

 

Noiseless is now available in ebook and print formats.

 

Here is the blurb:

 

Individuals living with deafness have existed for millennia, yet in today's world, we remain undervalued, misunderstood, discriminated against, stereotyped and underrepresented.

 

We constantly run into communication barriers, discrimination, ableism and misconceptions. For many of us in the Deaf community, we struggle with social isolation, finding it hard to fit in and be included in a world that prioritizes the ability to hear. The poems in “Noiseless” capture various aspects of what it's like to live with deafness.

 

These poems hope to show that deafness is not the tragedy which the hearing world claims it to be. Thanks to greater awareness of the Deaf community, Deaf culture, and Deaf-focused education, individuals who are deaf are at long last finally finding their place in the world, no matter what barriers remain.

 

We still have a long way to go, but together we can make society a more Deaf-friendly place to be.

 

And here is the link